We’re moving full steam ahead into spring market season, and trendsetting collections are launching faster than the flowers can bloom. From patinated steel furniture to polychromatic striped upholstery, here are some standouts from the latest round of releases.
Emma Hayes introduced four sound-absorbing wall and ceiling panels to her ongoing collaboration with Autex Acoustics. Along with the cloudy sky–like Dispersion and the ethereal Dune, debuts include the painterly Colour Field and the ombre Wash, all of which are available in multiple colorways and with coordinating desk screens.
Vaughan released the Chelsea collection, its first line of rechargeable table lamps. Available in lacquered brass or lacquered bronze finishes, intros include Enborne, inspired by a 17th century English candlestick; the ultratextural Baybridge, which is based on 1970s ceramic pottery; and Tisbury, a contemporary design with a carved alabaster shade.
Studio Serpentine’s Cabinet of Curiosities collection is a surrealist masterpiece. In addition to the curling Carnivorous lamp, a brass-stemmed beauty with a petal-like glass shade, newcomers from the Los Angeles–based brand include the slim and spidery Daddy Long Legs vase and the Horny table, a bronze dreamboat with undulating antler-shaped front legs and a hand-applied ombre patina.
Sustainable design lovers, rejoice: Sabai now offers fabric by the yard! The circularity-minded program allows both consumer and trade clients to order any of the brand’s all-natural textiles—including its recycled velvets, organic hemp blends, and cactus leathers—so they can reupholster existing pieces with ease.
Maharam’s Overlay Stripe by Paul Smith supplies a rhythmic spin on the classic pattern. Crafted from a blend of cotton, nylon and postconsumer recycled polyester, the boldly banded design boasts 100,000 double rubs and is offered in seven prismatic colorways, including earthy neutral Alabaster, pink-and-blue Carnelian and cool-hued Aventurine.
Bergman Vass rolled out Solène in collaboration with Marc Phillips. Designed to provide a clean backdrop for furnishings, the plush, made-to-order rug is hand-loomed from pure Merino wool and comes in seven versatile hues, such as sunbaked Sand, warm brown Cinnamon and steel blue Slate.
Textile designer Candice Kaye’s collaboration with designer Francesca Grace is an homage to ancient Italian design. The collection, called Heirloom, is offered in two colorways, including minty Sage Green and cerulean Pale Blue, and features a wallcovering and a coordinating fabric with a hand-painted striped floral pattern inspired by the colorful glass plaques used to decorate walls and furnishings during the Roman period.
L'Objet’s Grand Tour collection will transform a dining tablescape into a dazzling centerpiece. Named after the 18th and 19th century European rite of passage, the series introduces 21 delightful dinnerwares adorned in inlay-inspired botanical illustrations and 24-karat gold details, including plates, platters, espresso cup sets and a teapot.
Add a pop of color to a high-traffic interior with Jerry Pair’s newly launched Like No Udder line. Available in 67 shades, ranging from dark teal Prussian Blue to mustard yellow Canary and grayish purple Thistle, the buttery-soft Italian leather design boasts an embossed grain with a protective finish that resists stains and scratches.
Croft House’s Ladera line is brimming with character and patina. Handcrafted in Los Angeles, each of the collection’s six pieces—a media cabinet, console, coffee table, side table, nightstand and dresser—is cut to size from a single steel block and treated with a reactive finish to forge an oxidized antique effect.
German brand Grohe debuted its Listra line. The transitional-style series spans 25 sculptural bathroom fixtures—including a towel ring and several faucets with single- and two-handle options—showcasing coined edges and gently curved silhouettes, and is available in five distinct finishes: Brushed Cool Sunrise, Brushed Nickel Infinity, Hard Graphite, Matte Black and StarLight Chrome.
